Sarah Lund

Sarah Lund

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8 Kilsa 2012

After three years of hustle in the capital, Jony Nyberg is dumped and forced to move back into his mother's mobile home, still parked in the Motown of Finland. Returning to the hoods he grew up in, Jony has to contend with loose ends from his past, including a repressed hip-hop persona known locally as "MC Pahis".
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Sorority Stories 2013

A silent Christmas night at a sorority house turns into an unexplainable crime scene for Nadia Jones and her friends, when a recently released conman claims to be the father of her supposedly mutated child.
Sarah B. Lund

Sarah B. Lund

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Deadwood: The Movie 2019 (6.73)

Follow the 10-year reunion of the Deadwood camp to celebrate South Dakota's statehood. Former rivalries are reignited, alliances are tested and old wounds are reopened, as all are left to navigate the inevitable changes that modernity and time have wrought.
Sarah Lundy

Sarah Lundy

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Long Road Home 1991 (5.3)

A drama depicting the trials of a family of share croppers.
Sara Lund

Sara Lund

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Area of Conflict 2017 (7.9)

Human traffickers wipe out a young girl's family and village. She then seeks revenge on those responsible, eventually becoming first the hunted then turning into the hunters with the mercenary hired to eliminate her.
Sarah Lundy

Sarah Lundy

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HSP: There Is No Escape from the Terrors Of the Mind 2013

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is no escaping the mask, there is no escaping the resonating echoes of images and sounds that cross each other over time. There is no escaping the cinema. There is no escaping the terrors of the mind. “A mysterious loner, perhaps a poet, journeys through a series of uncanny surrealistic landscapes with an unclear purpose. His adventure is divided into three sections. The main theme of this experiment is to compare the eerier qualities of different landscapes and interpose the characters within them, elaborating the project’s ongoing preoccupation with extracting sinister moods from ordinary settings. In a way, these can be seen as experimental horror films in which an atmosphere of dread is evoked and sustained without the expected narrative trappings.”