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The winner of numerous festival prizes, this early work by Lynne Sachs is a provocative film essay on women's perspectives on their bodies in a "man's world." It touches on everything from the female form's depiction in Renaissance art to the school of 19th century "scientific" thought equating "abnormal" physiognomy with criminality. This adventurous collage also features the filmmaker's own diaristic recollections (notably of being fitted for a diaphragm by a cold, intimidating doctor), poetical staged sequences, other women's audio testimonies, an old classroom instructional reel about menstruation, prose by Gertrude Stein and feminine "ideals" like the undulating young woman performing in fish-tail costumes at Florida's kitschy Weeki-Wachee Springs "Underwater Mermaid Theater." - Dennis Harvey
In April 2015, the Hatton Garden Safe Deposit Company, an underground safe deposit facility in London's Hatton Garden area, was burgled by 4 elderly men. With the stolen property having a value of up to £200 million, the incident has been called the "largest burglary in English history".
Due to a near-fatal accident that has left her incapacitated and depleted of her long-term memory, a temporarily wheelchair-bound woman returns home after being abroad for six years accompanied by her bohemian boyfriend, the apparent cause of the accident. Unable to remember her family or her own childhood, she sets out, with the help of her boyfriend, to find the reason for her leaving all those years ago and quickly discovers her relatives may not be as loving as she’d thought
Amongst the desperation and fear growing in a crime ridden estate in northern England, one man becomes embroiled into saving what community life exists.
A fleeting love encounter between two men with opposing views on love proves that, like a plum, the sweetest turn bitter too soon.
