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Sani Magori

Sani Magori

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The Fruitless Tree 2017 (10)

There is certainly some pressure to procreate in Western societies, but in some countries, it’s not even a question of choice. Married but childless, director Aicha Macky’s circumstance is judged unacceptable in her native Niger. Doctors haven’t been able to determine why she can’t conceive, but in her conservative Muslim society, women are always getting blamed for infertility, while men are rarely diagnosed. Speaking to her departed mother who died in childbirth, she expresses her deep sadness: “By giving life, you lost yours, whereas I’m dying a slow death by not being able to give life.” Drawing from her personal experience, Macky bravely addresses the taboo of childlessness and the stigma Nigerien women like her must endure. Through delicate, exquisitely shot portraits, and sensitive observation of other women’s secret suffering, she finds a way to affirm herself as a fulfilled individual among mothers.


Sani Elhadj Magori

Sani Elhadj Magori

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For the Best and for the Onion 2009 (6)

The Galmi purple, the onion from Niger, pervades West African markets with four hundred thousand tons a year. In Galmi, Salamatou's been waiting for her wedding for two years. Her father Yaro, urged both by her future in-laws and the village gossip makes a decision : "The wedding will take place at the harvest !" Yaro is aware that to be up to his commitment this time, he has to produce more and sell at a higher price...


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