A sinister montage intimates the hellish void facing a man emptying bottles by the river. Sandy Fisher’s densely reverberating electronic score provides strong support for Lloyd Williams’ cultic collage of skulls, chess boards and fire.
A minimalistic animation of scribbled texts and shapes, set to an impressive sound collage that skewers advertising.
John Canaday analyzes the place of art among the humanities as an expression of man's attempt to define what it means to be a human being. Mr. Canaday shows how the masterworks of art and architecture have formed a visual history of man's thought, ideals, and most fondly-held beliefs.
