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Samuel Štefanec

Samuel Štefanec

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The Sound Is Innocent 2019 (4)

As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.


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Tempos 2020 (5.5)

The story of the film is a mapping of the path from zero to the top - losses, wins and facts. The background film also reveals the history of rap and hip-hop in Slovakia. Three decades of the Slovak hip-hop scene are retold by Rytmus himself, where he reveals various behind-the-scenes incidents or unexpected pitfalls and disappointments that he experienced in his musical career. All of this taught him something, changed him, but most of all hardened him. In addition to him, the documentary will feature a number of those who "crossed" his path or directly or indirectly influenced his work during his thirty-year journey through hip-hop.


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