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Salah Abu Seif

Salah Abu Seif

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Cairo 30 1966 (7.5)

Mahgoub is a villager who moves to Cairo in search of a better life. When he enlists friend Salem's help to find him a job, Salem not only gets him a job at the ministry where he works but he finds him a bride as well. But the bride is the mistress of Qasem Bek, who will be visiting her once a week.


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Sleepless 1957 (6.1)

Spoiled rich girl Nadia gets jealous after finding out her father's plan to remarry. She tries to break them apart, spreading lies about her new mother-in-law and getting involved with a man twice her age.


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The Will 1939 (7.2)

The story of Mohammed the son of a barber who has recently got his degree, his lover Fatma, his rivel Al-Etr.


Mohamed Salah Abu Saif

Mohamed Salah Abu Saif

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The Bathhouse of Malatily 1973 (5.7)

The film is an adaptation of the novel Samar Habib by Ismåeel Walieddin. author of Female Homosexuality in the Middle East: Histories and Representations. The main character, Ahmad, leaves rural eastern Egypt for the city hoping to become economically self-sufficient, gets an apartment for his parents, and obtains a law degree. He and his family are refugees from a town occupied by the Israeli army, Ismaåilia. Ali, the owner of the Malatily Bathhouse, offers to let him stay there for free. Ahmad encounters several characters there, including Naåeema, a prostitute who he becomes obsessed with, and Raouf, a homosexual man.


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Cholesterol Free 2005 (5.5)

Ayyoub is a young man who works in the advertizing field; thanks to his autistic mother who helps him to find new ideas. His boss tries to divert his ideas to be exploited in an illegal way. Ayyoub does not give up and decides to take revenge on his boss.


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Stay Awake 2002 (4)

(Kamel Shehata) is an accountant with simple dreams,he tries to forget his problems by resorting to drugs with his friends. Until a spirit (Mtemen Effendi Sultan)that was watching him, appeared disguised as a human to help him face life.


Salah Abu Seif

Salah Abu Seif

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Asmahan N/A

Asmahan is a film poem about the famous Syrian singer of the same name. The film is made up of four parts: love, death, love, and death. Each part follows one of the two songs Asmahan sings in the film which are used as a structural motif throughout. Like her musical notations, every shot is connected to every other shot. Nearly every shot contains Asmahan (she is the only actor in the film who appears to be talking), which is meant to create an obsessive relationship with the image reminding us of the interplay of voyeurism and exhibitionism that makes the actor that we see on the screen dream like, especially when she also sees us. This dream logic suggests that there is a hidden life, which exists through pictures, lurking in even the most superficial and trite of B-films. It is this fragment-like wholeness that is in a sense the structure of the film. As in a dream, Asmahan's actions are accentuated through a number of strategies.


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