A stop-motion documentary that asks men one of the crucial questions of our era: “What compels you to send pictures of your penis to non-consenting others?”
Santiago Gonzalez IV, a first generation Mexican-American, struggles with the tensions between his sexuality, nationality, and religion as he prepares for his college graduation.
There are spaces in this world wherein so many memories have soaked into the walls that it is hard to place these sites within a definite point in time. Memory of Objects illustrates these haphazard intersections of space and time by capturing film projections on dilapidated rural edifices. Shot on a beautiful 16mm, we see chaotic movements of light drape over barnyards and bathtubs—evoking memories of violence that haunt rural decay. Memory of Objects disrupts our linear perceptions of time by demonstrating how past traumas bleed into the present moment and latch themselves onto physical space.
