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Poppy

Poppy

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I'm Poppy: The Film 2018 (6.7)

Poppy leaves the Internet for the real world and confronts the pitfalls of fame, including cults, deranged fans, Satan, and her bitter rival Charlotte.


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N/A N/A (8.3)

Join Internet sensation Poppy as she enters the real world for the very first time and quickly realizes that fame and fortune comes at a price, with secret societies, dangerous fanatics and a very envious mannequin named Charlotte.


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N/A N/A (8.7)

A complex knot of comedy, subversive commentary, and music, unabashedly introduced by Poppy as ‘a show where we’ll learn, listen, live, laugh, love and probably, a few of us will die.


Rose-Aimée Automne T. Morin

Rose-Aimée Automne T. Morin

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N/A N/A (7)

Au-delà du sexe deals with human sexuality from every angle. We tackle subjects that are still taboo, and educate people to better know and understand one of the foundations of human life: sexuality.


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N/A N/A (2.9)

Two teams composed of a known personality and a contestant chosen from the public battle to guess the outcomes of astonishing scientific experiments.


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N/A N/A (2)

Host Sébastien Diaz, known for his curiosity, is interested in absolutely everything that's going on in the world. At the rate things are changing, every day brings surprising new trends, unusual developments and contradictory social movements. Sébastien is joined by regular contributors and invites various celebrities to talk about the hottest topics in this modern round table.


Rose Mori

Rose Mori

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Empty Metal 2018 (4.3)

Adam Khalil and Bayley Sweitzer’s first feature as co-directors, Empty Metal takes place in a world similar to ours—one of mass surveillance, pervasive policing, and increasing individual apathy. The lives of several people, each inhabiting extreme poles of American social and political consciousness, weave together as each attempts to achieve some kind of forward motion, sometimes in contradiction, and always under the eye of far more controlling powers.


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Reach Capacity 2020

Almost forty years after its first appearance in You The Better, the house returns as a character in Beckman’s new work Reach Capacity, now symbolising real estate. The economic and political elements and the structure of the film are closely associated with the most famous of all board games dealing with real estate, Monopoly. Its origins go back to the early 1900s, when Elizabeth Magie created a first version of what she called The Landlord’s Game. Magie’s game had two sets of rules, a Prosperity set and a Monopolist set (only the latter was kept by Parker Brothers when they further developed the game without her). Magie’s aim was to illustrate how society as a whole thrives when monopolies are banished and income is distributed equally. Beckman takes over Magie’s dual game structure by having her screen flip over when a monopoly is reached.


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