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A man named Jesus takes on the ruling military junta.
A wounded activist ends up in a toilet and meets two members of the oppressed masses whose only reality is living on toilet fees.
Nick Deocampo looks into the life of Filipino visual artist Victorio C. Edades. Recognized as the father of Philippine modernism, Edades is known for his formative influence among local artists with strong modernist leanings. In 1976, Edades was conferred National Artist for Visual Arts for his contributions to the development of Philippine art.
Seven effeminate brothers are forcibly enlisted by their father in the army to straighten them up and turn them into real men.
