In Vito A. Rowlands' "Entre les Images", orphaned 35mm frames from lost silent films are threaded together and interlaced with narration relating a tale of youth, love, war and grief, the conflagration of a world at war poetically mirrored in the burning of nitrate film.
A man struggles with his faith and is perennially caught between ascension and fall. "Ascending Double Helix" explores the boundaries between the mythologized and the visceral body, blending sculpture with the sublime, and taking as its cue the motif of ascension and the format of the passion play.
