"An exciting experiment in the tradition of Oskar Fischinger (Komposition in Blau, 1935), Dwinell Grant (Composition No. 1, 1940) and Slavko Vorkapich (Abstract Experiment in Kodachrome, 1950s). Max Hattler presents a well-done interaction between music and moving images. Space is turned upside down and the animated objects become faceless dancers in a constructivist ballet." Vienna Independent Shorts 2010, jury statement by Anton Fuxjäger
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Mel, a young independent trans artist who uses her art as a refuge and escape valve in the midst of identity crises and dysphoria. She faces herself on her journey to self-knowledge when one of her self-portraits comes to life.
