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Roberto Farías

Roberto Farías

56 (1969-05-31)
Conchalí, Chile

Roberto Farías (born May 31,1969) is a Chilean actor, screenwriter and film director.He has appeared in more than thirty films since 2003. Not to be confused with Brazilian filmmaker Roberto Farias who has been working since the 60's.


Most Known for...

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The Club 2015 (6.865)

In a secluded house in a small seaside town live four unrelated men and the woman who tends to the house and their needs. All former priests, they have been sent to this quiet exile to purge the sins of their pasts, the separation from their communities the worst form of punishment by the Church. They keep to a strict daily schedule devoid of all temptation and spontaneity, each moment a deliberate effort to atone for their wrongdoings.


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Pacto de Fuga 2020 (7.514)

During the last years of Pinochet's military regime, a group of militants from the "Manuel Rodríguez Patriotic Front" plan a prison break of political prisoners, through a tunnel that will take them 18 months to dig.


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A Fantastic Woman 2017 (7.025)

Marina's life is thrown into turmoil following the death of her partner. Mourning the loss of the man she loved, she finds herself under intense scrutiny from those with no regard for her privacy.


Roberto Farias

Roberto Farias

N/A

N/A


Most Known for...

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Os Trapalhões no Auto da Compadecida 1987 (6.368)

In the small town of Taperoá João Grilo and confusion Chicó live setting, addressing a sacristan and a humble baker. Everyone lives under the excesses of the bishop, the priest and the major. Until an attack on the city, all die at the hands of the bandit Severino and must stand trial in the sky, which puts everyone before God and the Virgin Mary.


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Assault on the Pay Train 1962 (8)

Based on true events in Rio de Janeiro, in 1960, when a gang having the infamous outlaw Tião Medonho as a leader performed a sensational railroad hold-up on a train carrying a small fortune.


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Go Ahead, Brazil! 1982 (7.4)

Mid-1970s. When the military regime's "economic miracle" and the victory of the Brazilian football team on the World Cup serve as a distraction for the persecution of opposition leaders by the political police of the dictatorship. Under this context, Jofre Godoi da Fonseca, an alienated middle-class man, is mistaken for Sarmento, a political activist he met at an airport prior to his assassination. He is then arrested for being "subversive".


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