Roberto Butragueño

Roberto Butragueño

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Most Known for...

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Manticore 2022 (6.938)

Julián is a successful video-game designer whose life is plagued by a dark secret. But when Diana pops up in his life, the man will feel as though a chance at happiness is within his grasp.
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Wounded 2013 (4.9)

The first work from Fernando Franco revolves around Ana, a 30 year old ambulance driver. Though good at her job, Ana has problems relating in her personal life. She doesn't know it, but she suffers from a condition known by psychiatrists as Borderline Personality Disorder. The situation pushes her to outbreaks of self-destructive behaviour, alcohol abuse and self-harm. Ana is incapable of getting what she wants most: to be happy.
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Not the End 2018 (6.1)

Javier comes from the future to recover María's lost love. Together, they relive the magic of the day they met and repeat the journey they made from a sunrise in Madrid to a sunset on the Andalusian coast. Everything to get María to be the full of life girl he once fell in love with.
Roberto Butragueño

Roberto Butragueño

N/A

N/A

Most Known for...

Movie Picture

Boys things 2022

90s. Summer begins outside a sunny rural town. Marta, cheerful and innocent 12 -year -old girl, enjoys her friends playing football, swimming in the river, riding a bicycle and building the same cabin every year. Everything in his world within the town is perfect, but Marta is different from the other girls: in addition to being the leader of her gang of friends, she is the only girl in the group. Although gender has never been a problem in their friendship, this is about to change: Loren, a 16 -year -old boy, comes to the town and approaches Marta's friends, causing them to change her gaze towards her. Loren has come to stay, and with him puberty and gender roles. Will Marta lose her innocence and accept the new rules?
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Capitolio vs. Capitolio 2025

Instant chronicle of the times we are living, with a world and moral order that seems to falter without letting us glimpse what will come, the strength of the film lies in the use of images destined to disappear, poor images, rescued from mobile phones, social networks, Telegram groups, that no one will bother to archive. The film confronts us with two memories: on the one hand, the memory of the day before yesterday, where a spark emerged that caused everything, and on the other, the memory that we captured without protecting it later, without making it accessible.