Robert (R. W.) Gray is a Canadian writer, filmmaker and academic.
A split-screen film telling two versions of the entire story of a relationship. Each memory becomes intertwined with all the others: the firsts, the lasts, the middles, each of the small nothing moments that add up to something in the end.
The most beautiful man in the world, who, sick of being objectified, devises a plan to free himself of other's attention.
A filmmaker attempts to capture the moment of letting go but instead captures something he longs to hold onto.