Gallery director Stanislas bolsters the development of modern art with his collection of surprising works. His newest acquisition is a sculpture by Gilbert, whose wife Josée is captivated by Stanislas. But unbeknownst to her, Stanislas is amassing photographs of a very perverse, disturbed nature.
An allegorical documentary about the workers of the world, whose common destinies and hopes for peace are symbolically united by the rivers that run through their respective lands. The film was shot on the Volga, the Mississippi, the Nile, the Yangtze, the Amazon and the Ganges and combines these images of five continents with the music of Dmitri Shostakovich and the poetry of both Bertolt Brecht and Paul Robeson.
Robert Ménégoz’s film depicting the struggles of French dockworkers in the winter and early spring of 1950 is meant to evoke the feelings of insecurity, exertion and danger of this profession whose rights were not sufficiently reflected in post-war France. At the same time, the heroic image of dockworkers is meant to mobilize against American policy, the Marshall Plan, German rearmament and the war in Indochina. Banned by the censors in France, the film won the Grand Prix for Documentary at the 1951 Karlovy Vary Film Festival.
