Disappearing Man is an intimate film portrait of TriBeCa artist Robert Janz - whose ephemeral, streetscape water paintings reflect on the impermanence of the artist’s own life. Robert Janz’s unique artistic medium is water on brick, stone or concrete. He paints totemic words on New York City façades and sidewalks. Janz’s self-erasing word paintings challenge the serendipitous viewer to reflect on the contradictory nature of artistic practices that often capture and immortalize both a fleeting moment in time and the mortal artist that captured it. In capturing this story of the artist at work, the film evokes Janz’s philosophical musings on practicing an art form that is very much a metaphor for his own mortality. Both the filmmaker and the viewer clearly become not just observers but students of Janz and his art.
An artist trapped in his Lower Manhattan loft by the disaster of September 11th faxes drawings of what he sees through his window to a friend in Dublin.
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Two street-wise Chicago cops have to shake off some rust after returning from a Key West vacation to pursue a drug dealer that nearly killed them in the past.
During his long career, bounty hunter Ralph "Papa" Thorson has caught over 5,000 criminals. Now, while he is working on apprehending fugitives in Illinois, Texas and Nebraska, he himself is being hunted by a psychotic killer.