The year is 1981, the German New Wave is at the peak. Harry, otherwise Sparkasse trainee, wants to make it big as a manager of the band of his friends, Apollo Schwabing. He has booked the band as the opening act for a concert where the group DAF are the headliners.
Despondent over his lovelife, Swedish director Patrik Eriksson decides to chronicle his existential crisis, with the aid of co-workers, via cell-phone video camera.
This anti-coming-of-age film follows Generation Y characters as they chase the desire for radical self-realisation.
