Rob Cameron is a four-time Emmy-winner set decorator, known for Game of Thrones (2013-2019), The Witcher (2021) and The Acolyte (2024).
Seven noble families fight for control of the mythical land of Westeros. Friction between the houses leads to full-scale war. All while a very ancient evil awakens in the farthest north. Amidst the war, a neglected military order of misfits, the Night's Watch, is all that stands between the realms of men and icy horrors beyond.
A murder in Paris’ Louvre Museum and cryptic clues in some of Leonardo da Vinci’s most famous paintings lead to the discovery of a religious mystery. For 2,000 years a secret society closely guards information that — should it come to light — could rock the very foundations of Christianity.
When soldier Robin happens upon the dying Robert of Loxley, he promises to return the man's sword to his family in Nottingham. There, he assumes Robert's identity; romances his widow, Marion; and draws the ire of the town's sheriff and King John's henchman, Godfrey.
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At once potently restrained and explosively oddball, Mira’s Daughter is an examination of narcissism, co-dependency and the exacting demands of fame from 2021 Flickerfest Outstanding Emerging Female Director Alisha Hnatjuk.
After prospector Albert Hunt (Ron Burt) registers a gold claim near Ōkārito, he finds himself accompanied by hundreds of fellow miners — who refuse to let Hunt out of their sights, as he returns to the site via water-logged forests and beaches. The darkly poetic tale of what men can do after they smell gold was partly shot on location on the West Coast. The opening features Sam Neill and Close to Home veteran Tony Curran, among Hunt's fireside colleagues.
Tells the story of a Scotch boy who can't decide whether he wants to be like his father, a Highlander, or his mother, a Lowlander.
A troubled young woman, reeling from her parents' deaths, snaps and takes revenge against her tormentors, while two detectives attempt to discover the truth behind her family's frightening past.
‘Screentime’ is a social commentary narrative illustrating the contrast between digital screens and the tactile world in childhood, demonstrating how boredom acts as a catalyst for imaginative play and engagement with one's environment.
The disappearance of a classmate leads Oscar to look more closely at the world around him
