Gervonta Davis vs. Frank Martin 2024

Undefeated champion Tank Davis takes on unbeaten contender Frank Martin in a WBA Lightweight World Championship bout and David Benavídez makes his 175-pound debut vs. Oleksandr Gvozdyk for the Interim WBC Light Heavyweight Title. Plus, two more championship fights open the show as Gary Antuanne Russell battles Alberto Puello and Carlos Adames faces Terrell Gausha.

Canelo Alvarez vs. Edgar Berlanga 2024

Pound-for-pound great and Mexican superstar Canelo Álvarez puts his unified World Titles on the line against Puerto Rican KO artist Edgar Berlanga. Also on the star-studded card, Middleweight Champ Erislandy Lara will face off with boxing superstar Danny García and Caleb Plant takes on undefeated Trevor McCumby, plus Rolando “Rolly” Romero faces Manuel Jaimes.

Ricardo Salas vs. Kent Cruz 2025

Hard-hitting Ricardo Salas takes on the unbeaten Kent Cruz in a high-stakes welterweight showdown.

Crab II 1984 ( 7)

Commissioner Leon (Miguel Angel Landa) investigates the murder of a woman in a population near the capital. The woman was raped before death and the case is complicated when his brother becomes the prime suspect, since it is a priest (Eduardo Serrano). Because of the implications that inquiries might have, Leon is pressured to keep the event as a "crab" (Cangrejo, or a unsolvable case), but he decides to comply with the law.

La máxima felicidad 1982

Two men and a woman are about to experience living as a threesome, this process brings out of them their fears, some moral barriers must be dismantled before the complex process of understanding and accepting each other can succeed.

TVenezuela 1969

An analysis of the history of television in Venezuela, subjected to economic power and market interests. The film explores the messages that television reproduces through its "anchors" and the much-criticised soap operas.

N/A N/A

Lo que vendrá 1988 ( 5.8)

In a city of the too near future, a city designated for desolation, aggression, and political instability, Miguel Galvan (Hugo Soto) is shot accidentally during a demonstration. This time and space provides a back drop to an intriguing sequence of events where three characters try desperately to survive: the wounded Miguel, an antagonistic policeman (Juan Leyrado), and a foolish vigilante smartly acted by cult rock star Charly Garcia of Sui Generis and Serú Girán fame, who also composed the film's score.

Memoria de Acceso Aleatorio 2019 ( 10)

The Senior 2025

At 59, Mike Flynt may be too old to be on a college football field, but not too old to feel the weight of unfinished business. After nearly four decades, he returns to his alma mater to take the hit that changed everything. Bruised, doubted, and nearly broken, he pushes for one more game, not for glory, but for the teammates he lost, the family he fractured, and the ending he still believes is possible.

Pasión cibernética 2007

Five stories linked by the new trend of how to meet people and the search for love in the world of internet.

Living off energy we are Energy 2015

Even in our regions, people are beginning to appear who do not have to eat solid food, and the ubiquitous cosmic energy is enough for them to live. That it is possible to live without food is unimaginable and unacceptable to many. However, we still know little about the possibilities one has. The film captures long-term protagonists of this direction of nutrition in the world - Jasmuheen and Henri Monfort, as well as a young couple from Ecuador, who started this way and have already given birth to two children and Czech women who have lived in this way for two years. The film attempts to present this topic in a wide range

There are Monsters in the Dark 2023 ( 10)

On a farm in the north of Portugal with a vineyard surrounded by a forest, where the past and present mix, a mother and a daughter, in a fight for reconciliation, try to overcome the anguish that still torments them. Will there be a change after this fight?

No More History Without Us N/A

Submerged in the sea of greenwashing that drowns them daily, two Amazonian filmmakers have decided to denounce, in this film manifesto, the entrails of the historical process of inventing and exploiting the forest as an inexhaustible Garden of Eden. Between Munich and Belém, they reveal how racism and prejudice, in Brazil and throughout the world, are still organised around the idea of a “savage demographic emptiness”, unable to speak for itself.

Valsas na Lua N/A