Ricardo Lameiras

Ricardo Lameiras

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Aquaparque 2018 (4.5)

In an abandoned aqua park, a boy and a girl hide from the exterior world.
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João's Nightmare 2014

João still lives at home with his parents. With absolutely no idea what to do with his life, he leaves the city centre to hang out in the outskirts. The abandoned factory where he spends his days is the lingering echo of a better past. What lies ahead seems worse as João comes face to face with the failure of youth.
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Boudoir 2011

Inspired by the mythology of "Boco do Inferno" and the magical practices of Crowley and his followers in "Boudoir", a closed woman in your room performs a ritual, like all rituals, will have its consequences.
Ricardo Lameiras

Ricardo Lameiras

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I gave my love a cherry that had no stone 2016

Holding in her mind Dorothea Tanning’s painting Some Roses and their Phantoms (1952) and its sickening presentation of objects as between states of being, Wardill made a film that also hovers between definitions. The architecture of the Gulbenkian auditorium in Lisbon, its colors and sense of being lost in time accompany us through a loop where a man wanders the building at night, followed by something that is not human. Through the care and paranoia with which she approaches the digital image, the artist investigates the past’s haunting of the present and the remnants of textures longing to be touched. Wardill’s work takes an interest in the appropriation of models to express ideas and the way in which fixed scenarios become exemplary. She explores the opacity of communication to deconstruct the way in which materials or the implication of the material are used to elucidate ideas.
Ricardo Lameiras Garcia

Ricardo Lameiras Garcia

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Contar el amor 2020 (5)

A filmic reflection on the way in which cinema taught us to live romantic love during the 20th century, building an impossible ideal within our personal relationships. Cinema taught viewers how they had to see it, worse, it showed directors how they had to film it. Based on quotations from early cinema films, Contar el amor discusses the role of sex and violence as central themes in our increasingly broad but, at the same time, less pluralistic audiovisual universe.
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A Wooden Toy Dreamed of Paper Boats 2020 (2)

An ancient fleet of paper boats is enslaved by the music of a record player; when it breaks down, the boats see an opportunity to rebel.
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Pérdida Total 2025 (5.1)

Claudio is a skilled con artist desperate for money. In a misguided attempt to claim insurance on his truck, he tries to destroy it, only to discover the lifeless body of the son of a powerful crime boss hidden inside. Arrested and taken to Torreón, Claudio is seen by the prosecutor as a cunning criminal in disguise. To escape his predicament, he must turn the tables and act as bait to lure out the ruthless leader, El Rojo, plunging him deeper into a dangerous game of deception and survival.
Ricardo Lameira

Ricardo Lameira

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Most Known for...

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Us 2025 (10)

Nosotros is a short-animated film and manifesto created by Horacio Garcia-Rojas. It is a project that showcases the search for our past and cultural identity in Mexico and Latin America. Although part of our history has been erased, art is a space that can heal and recover our collective memory.