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Okay Keskidee! Let Me See Inside is a love letter to the UK Caribbean diaspora, exploring black histories, physical spaces and notions of community. The site of the Keskidee Centre, a pioneering Afro-Caribbean cultural centre, is now occupied by luxury apartments. The closure of such valued spaces where people could gather and organise coincided with the rise of a political discourse which led to a lack of documentation of Black Caribbean pasts. Working on the surface of the film image itself – making use of a rostrum camera and optical printer – filmmaker Rhea Storr reflects on the histories that remain trapped in the archive and how capitalism has affected our connection to the past.
A critical reflection on the black diaspora, the architectural history of colonialism and black bodies in a performative walk through London and Nassau along alternative routes.
Celebration is protest at Leeds West Indian Carnival. Following Mama Dread's, a troupe whose carnival theme is Windrush immigration to the UK, we are asked to consider the visibility of black bodies in rural spaces.
As we follow The Seeker, who moves between the city and the sanctuary, "MASS" carves out the intimate communal spaces and intangible signals that characterise the contemporary Black experience.
