Lost Youth 1948 ( 6.4)

In impoverished post-war Rome, a gang of young thieves is lead by Stefano, the son of an illustrious professor. The police suspects that the criminals are actually university students; inspector Mariani, a young World War II veteran, enrolls and tries to find out more. He falls for a pretty fellow student, Luisa, but she is the sister of the gang leader...

The Chant of Tiber’s Branches 1961 ( 6.7)

On a hot summer day, a group of boys of the Roman suburbs play and laugh in one of the many rivers that surround the city. The camera scrutinizes them, approaches them, reveals the gestures and glances, wraps them in a sort of visual dance, while the words of the commentary (entrusted to the poetic sensibility of Pier Paolo Pasolini) narrate the stories, desires, dreams, the future.

Stendali (Still They Toll) 1960 ( 6)

A unique 1960s documentary on the traditional dirge sung by women in Griko, an ancient dialect of Salento, so old that it originates from the ancient Greeks who once colonized that part of southern Italy.

Elegy of a Crime 2018 ( 8)

Uberlândia, Minas Gerais, Brazil, February 24th 2011. Isabel Burlan da Silva, the director’s mother, is brutally murdered by her partner. “Elegy of a Crime” is the final chapter of Cristiano Burlan’s “Mourning Trilogy, about the tragic family history. Faced with impunity, the film plunges into a dizzying journey to rebuild Isabel's image and life.

Em Busca de Borges 2016

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Documentary series in five episodes about the Brazilian thinker who is a world reference in education. Cristiano Burlan investigates the formation of Paulo Freire and his influences for the conception of Pedagogy of the Oppressed from testimonies of his family and professionals who knew him or work in the institutions where he put his concepts into practice.

Gli onorevoli 1963 ( 6.833)

Some political candidates are determined to win the electors' preference during an election campaign in Italy.

Sex Can Be Difficult 1962 ( 6)

A journalist could marry the daughter of a tycoon, but prefers a relationship with a married woman. An attorney renounces her lover by greed. A soldier tries to approach a widow on a train. A German couple looking for adventure mistakingly aim for the wrong target, yet find love.

Paris, My Love 1962 ( 7.2)

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the queer community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.

O ETERNO 3 a 3 2021