Aninha, future poet and candy maker Cora Coralina, is a fragile and clumsy girl. She finds in the game of hopscotch a way to overcome her own limits and, in her imagination, an escape from the environment in which she lives. His childhood, marked by rejection, is remembered in his adult life for his affective and tragic connection with the blue pigeon dish, the last of a ninety-two-piece collection, by his great-grandmother Antônia.
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A veil of sadness lies over the oppressively hot summer days. Cleo dives into daydreams with her cousins, the girls share secret signs and rituals. Flowing gently, in impressionistic images, the empty space that the death of Cleo’s sister has left in the family is poetically encircled.
Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.
