Somewhere in Sub-Saharan Africa, Komona a 14-year-old girl tells her unborn child growing inside her the story of her life since she has been at war. Everything started when she was abducted by the rebel army at the age of 12.
Martin, a homosexual widower and whimsical of fifty years, sees itself propose to contract a marriage white with a Congolese of twenty years, Tamara. These two beings that everything separates are going to believe in their love against the authorities of migration and to force to pretend.
Perhaps the most ebullient “musical” you’ll see this year, Marc-Henri Wajnberg’s singular documentary/fiction hybrid follows a group of street children in the Congolese capital.
