Rachael Lawrence

Rachael Lawrence

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Mrs. Henderson Presents 2005 (6.7)

Eccentric 70-year-old widow purchases the Windmill Theatre in London as a post-widowhood hobby. After starting an innovative continuous variety review, which is copied by other theaters, they begin to lose money. Mrs. Henderson suggests they add female nudity similar to the Moulin Rouge in Paris.
Rachael Lawe

Rachael Lawe

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Signal 8 2020 (5.833)

Simon Liu's eerie, entrancing portrait of contemporary Hong Kong tracks a series of strange disruptions to the city's urban infrastructure. Deceptively tranquil 16mm images of everyday life are accompanied by muffled music cues, ominous radio transmissions, and intimations of an impending hazardous event that may never arrive.
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E-Ticket 2019 (4)

A film sixteen thousand splices in the making. E-Ticket is a frantic (re)cataloguing of a personal archive and an opportunity for rebirth to forgotten images. 35mm photographs and moving pictures are obsessively cut apart, reshuffled then tape spliced together inch by inch in rigid increments. My photographs may have all been cut up and mixed around, but at least they’re all in one place now. A retelling of Dante's Inferno for the streaming age; a freedom of movement reserved for the modern cloud.
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Happy Valley 2021 (5.5)

In Hong Kong, echoes of resistance and turmoil are sensitively captured on 16mm in this poetic rumination of public spaces and everyday life in a metropolis in upheaval.