Rikke Selin Als

Rikke Selin Als

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N/A N/A (7.99)

The Killing is a Danish police procedural set in the Copenhagen main police department and revolves around Detective Inspector Sarah Lund and her team, with each season series following a different murder case day-by-day and a one-hour episode covering twenty-four hours of the investigation. The series is noted for its plot twists, season-long storylines, dark tone and for giving equal emphasis to the story of the murdered victim's family alongside the police investigation. It has also been singled out for the photography of its Danish setting, and for the acting ability of its cast.
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The Kingdom is the most technologically advanced hospital in Denmark, a gleaming bastion of medical science. A rash of uncanny occurrences, however, begins to weaken the staff's faith in science – a phantom ambulance pulls in every night, but disappears; voices echo in the elevator shaft; and a pregnant doctor's fetus seems to be developing much faster than is natural.
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The Kingdom II 1997 (7.7)

Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", "Riget" means "the realm" or "the kingdom" and leads one to think of "dødsriget", the realm of the dead.
RIKKE SELIN- LORENTZEN

RIKKE SELIN- LORENTZEN

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Listen 2014 (6.889)

A foreign woman in a burqa brings her young son to a Copenhagen police station to file a complaint against her abusive husband, but the translator assigned to her seems unwilling to convey the true meaning of her words. A tense, diamond-hard film about cultural isolation and bureaucratic ignorance.
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Just the Right Amount of Violence 2013

In his new feature film Jon Bang Carlsen inserts the viewer into the affluent suburbs of Los Angeles, a world where families put on a brave face to mask the tension and turmoil at home. The kids are rebelling and the parents doesn’t know how to deal with them. With their parents consent, the children are abducted and bundled into a van which takes them to a reform school in the middle of the desert, in Utah. Blending fact with fiction, Carlsen shows us how parents sometimes achieve control by surrendering it and how fabrications can help us understand real life.
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The Nameless Spectacle 2011

Borrowing its title from the William Carlos Williams poem of the same name, Nameless Spectacle revela in the beauty of ordinary life through themes of voyeurism, power, and sexual violence. Projected on two duelling screens the viewer is unable to focus on the parallel perspectives of the film’s dual perspectives.