Rēzija Kalniņa

Rēzija Kalniņa

54 (1970-12-23)
N/A

Rēzija Kalniņa is a Latvian stage and film actress and singer.

Most Known for...

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The Rifleman 2019 (7.252)

The love story of sixteen-year-old Arturs is interrupted by the First World War. After losing his mother and his home, he finds some consolation in joining the army, because this is the first time national battalions are allowed in the Russian Empire. But war is nothing like Arturs imagined – no glory, no fairness. It is brutal and painful. Arturs is now completely alone as war takes the lives of his father and brother. Also, no progress is made in the promised quick resolution of the war and timely return home. Within the notion that only he alone cares about returning home and that his homeland is just a playground for other nations, Arturs finds strength for the final battle and eventually returns home to start everything from scratch, just like his newly born country.
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Modris 2014 (6.4)

A true story of a 17 going on 18 year-old boy called Modris. He’s a guy who goes to school, has a girlfriend and some good friends. He has a small gambling addiction, which makes his relationship with his mother difficult. It’s also hard because the two of them live alone and the mother doesn’t miss a chance to remind him that his father is in prison and that Modris has a bad gene. Their relationship boils over when, in the middle of a Nordic winter, Modris pawns his mother’s electric heater in trying to squeeze a win from a slot machine. She betrays him to the police and Modris is sentenced to two years’ probation. That is when his adventures with the Latvian justice system begin and he sets a new goal: to find the father he has never met.
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Mellow Mud 2016 (7.1)

Siblings Roby and Raya after the death of their father and being abandoned by their mother, are forced to live with their dominating grandmother in a small country house owned by their family. Things change after the sudden death of their grandmother. The teenagers have to face a tough choice: either to report the accident and submit themselves to a life in an orphanage or hide the dead body and live as if nothing has happened.