N/A N/A ( 6)

N/A N/A ( 6.8)

Hala, an innocent and timid girl, gets married to Hamza. However, her mother-in-law treats her badly while Hamza tries his best to take a stand for his wife.

N/A N/A ( 9)

Aangan is story of a family which eats together, lives together, fights together, which has positive and negative both kind of members with full hilarious and serious characteristics. Mansha Pasha plays the role of the youngest daughter Zoya, who has alot of proposals over the year and is yet to be married. The three daughter in laws share a very typical kind of bond, leaving everything on Zoya. She looks after their kids and the kitchen as well. This makes Zoya against of marrying into a joint family.

N/A N/A ( 9)

An Iraqi flavored series about different characters, a dreamer, taxi driver,hairdresser and the troublesome in comedic scenes about social problems.

Rehab 2025

N/A N/A ( 8.5)

In 2050 Riyadh, elder Asma's richly captivating storytelling transports her cherished grandchildren to fabled times where they learn that modern-day dilemmas are no match for the trials, tribulations and words of wisdom passed from generation to generation through their fascinating folktales.

Fateh 2025 ( 5.409)

Ex-Special Ops officer Fateh Singh springs back to action when a girl falls prey to a cybercrime syndicate. Racing against time, can he bring down the mafia?

مسكون ليلى 2025 ( 10)

Ek Thi Marium 2016 ( 8.4)

Marium Mukhtar (Sanam Baloch) achieves her dream of becoming a fighter pilot and becomes the first female flying officer of Pakistan to embrace martyrdom.

Two Meetings and a Funeral 2017

Two Meetings and a Funeral explores Bangladesh’s historical pivot from the socialism of the 1973 Non-Aligned Movement (NAM) meeting in Algeria to its ideological counterpoint, the emergence of a strong Islamic perspective at the 1974 Organisation of Islamic Countries (OIC) meeting in Lahore. Centred on Bangladesh’s navigation of these two historic meetings, as well as its fight for United Nations recognition (vetoed by China, acting as a proxy for Pakistan), the film considers the erosion of the idea of the Third World as a potential space for decolonialism, liberation theology and socialism. In particular, it looks at how a transnational Islamic ‘ummah’ concept was used against socialist forces.