Iranian filmmaker.
Twelve stories, one per month, from April to March. They all take place in the same place—inside vehicles—and during the “magic hour.” The characters also experience similar situations: they are hesitating to make an important decision in their lives, a moment that will mark them forever.
Unable to bear the financial pressure of raising a child, an Iranian couple decided to give up having children and instead use love and desire to give birth to an imaginary daughter. In this imaginary family, they are free from the constraints of reality and fully experience the joy and troubles of being parents. However, as time goes by, this carefully constructed dream of having a child begins to gradually devour the wife's sanity, pushing her to the brink of mental breakdown.
