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A (temporary) leave of many friends who are my truest world, with the attempt of getting them together in an ideal summary conceived to support me during my being far away. –A. L.
An “ironic visual reportage” of four artist projects at the L’Attico gallery in Rome, 1968. Patella infuses the work of the artists from the arte povera movement with touches of surrealism, as tinted monochromatic footage of these exhibitions/actions lends them a silent film aesthetic. The title refers to the last names of the main players: gallery owner Fabio Sargentini and artists Jannis Kounellis, Eliseo Mattiacci, Pino Pascali and Luca Maria Patella himself. Kounellis is shown using the gallery as a studio, dying bits of cloth among live animals; Mattiacci engages passerby in a happening on the city streets; Patella and Rosa Foschi are shown in a similar scenario to Terra Animata, with a flag performance in a landscape; and Pascali executes a bizarre ritual on the beach, covered to his neck in sand and later planting whole loaves of bread.
In 1955 in Italy, race car driver Jed Cavalcanti suffers a mishap during the Molte Miglia rally and finds himself in a small town with a few familial surprises.
Two friends decide to make a short film, so they begin to write the screenplay. Will the characters in the film be able to survive the diabolical directives of their creators?
