Benito Mussolini: Anatomy of a Dictator 1962 ( 6.3)

Hermitage 1968 ( 7.2)

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.

LSD Flesh of Devil 1967 ( 5.7)

E.C.H.O., a secret organization with a strange name masterminds a bizarre plot to take over the world by dosing important `nerve centers' with super potent LSD. The only man who can stop them is Rex, a secret agent working for an undisclosed organization.