Tiempo de Cosecha 2019

Eduardo, an exploitative farm owner, is taken to an end-of-harvest celebration organized by his laborers. Over the course of the party things become strange, until the workers reveal their true intentions with Eduardo.

Love Tastes Pink N/A

Nos vamos, nos volvemos N/A

Miss Brackets, the Baby-sitter, the Bastard Grandson and Emma Suarez 2015 ( 4)

Julia gives birth to a boy, Iván, whose father is unknown. His mother, Mrs. Brackets, is unable to accept a bastard grandson into the family. Marta, Julia's friend, proves to be her only lifeline despite the turbulent waters. And Carolina, the nanny, a devoted fan of Emma Suárez and aspiring actress, will go from being a tangential witness to these relationships to becoming infected by their dysfunctionality.

The Last Suit 2017 ( 6)

Cranky, crafty and always immaculately dressed, aged master tailor Abraham Bursztein finds himself facing his winter years in a retirement home after discovering his children have sold his home out from under him. Not one to go quietly, Abraham unexpectedly travels to Poland in order to deliver a suit to a childhood friend who saved his life during the Nazi occupation.

Two Looks 2007 ( 0.8)

The two friends in Two Looks have seen less complicated times together. Though we never hear their names or see them interact with the world outside of their stylish desert house, their exchanges are the sort that speak volumes with a well-placed breath. Waking to find themselves naked and entangled, the first to leave the bed is bewildered. Along with her, we begin to put together the pieces of their night as she trips on empty wine bottles and endures a deep struggle in the shower, trying to scrub the night off of her skin. Clearly, their friendship can never be the same, and she’s unwilling to accept that change.

Sin alma ni tiempo 1981

Juana la Lorca 2022 ( 6)

The transformist artist Juan Moreno, to put it another way, a gypsy from Sacromonte, is struggling at an extraordinary vital crossroads. He had always hated Federico García Lorca for his stereotypical view of gypsies, but he has had a strange dream that revolves around his poem Son de Negros en Cuba. From this experience he begins to feel inexplicably identified with the poet's work… So much so that he ends up acquiring a new and explosive personality: that of Juana la Lorca. With this nom de guerre, he will embark on a path of no return full of incidents, but also of shocking revelations that will shed light on the life and death of Federico García Lorca. With this singular and irreverent work, Valeriano López humorously vindicates the homosexual dimension of the most rebellious Federico García Lorca, at the same time he makes a ruthless satire of Lorca's clichés and of the "industry" built on the poet's legacy.