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Billie Holiday spent much of her career being adored by fans. In the 1940s, the government targeted Holiday in a growing effort to racialize the war on drugs, ultimately aiming to stop her from singing her controversial ballad, "Strange Fruit."
Tom, an amoral Montreal drifter who supports himself by peddling dope and fleecing lonely woman, hooks up with Vicky, a straight-laced librarian, and initiates her, all too well, into his criminal ways.
The tribulations of two Québec nationalists in the English-speaking world of insurance. A satire that draws its irony from a specific social situation. A typical example of the era's popular comedies based on television and trendy stars, which gave birth to a certain commercial stream in Québec cinema.