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Fermont: A remote mining colony in the endless frozen hell that is Canada's far North. The body of a young exotic dancer is found and the Quebec City police sends one of their toughest, most experienced detectives to investigate. Céline sure is always up for a challenge. Being cooped up in the massive structure that is the colony – the inhabitants simply call it “The Wall” – soon presents her with some challenges that exceed her investigative efforts.
Robinson, appropriately named as we will soon discover, is on vacation in Biarritz with his wife. What follows is the story behind the loss of his arm, a story that becomes increasingly bizarre and eventually apocalyptic, leading us down a narrative path of labyrinthine complexity. The resulting film is an extraordinary feat of imagination and daring, set against the backdrop of a world on the verge of destruction.
A disillusioned police detective, used as a scapegoat by his corrupted superior, fights back by becoming a competent criminal.
A shy computer expert falls in love with a beautiful colleague while trying to become a film director. Five years later, they have two children, she has become a successful executive, his career has gone nowhere, and their relationship is coming to an end.
Through the lens of graphic design, “Design Canada” follows the transformation of a nation from a colonial outpost to a vibrant and multicultural society. What defines a national identity, is it an anthem? A flag? Is it a logo or icon? How do these elements shape who we are? In the 1960s and 1970s, these questions were answered by an innovative group of Canadian designers, who used design to unify the nation.
