Satan Bouche un Coin 1968 ( 6.5)

The film is a series of images, shown in short takes (anywhere from a few frames to 30 seconds), of more or less fetishistic imagery (something Bouyxou was particularly fond of). After a credit and title sequence written on naked human flesh, the viewer sees the brilliant Molinier standing sanctimoniously in front of a screen. Soon he is joined by a woman, and he fondles her breasts while retaining his signature grin. Molinier seems to almost be the 'ringmaster' of the incidents, with almost every minute episode cutting back to him. His presence is one thing that makes this film remarkable; the same sort of aura that exists in Moliniers famous self-portraits and cut-ups is present here, on screen. (esotika.blogspot.com)

Chromo sud 1968 ( 5.8)

One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club

Molinier 1966

Experimental documentary on Pierre Molinier and his works.

Orphée et Eurydice 2003

Live from Munich, October 2003. A husband laments the death of his wife. He follows her to the underworld and finds her there. But he is forbidden to look at her. He does it anyway! Has he now lost her forever? Or will the gods' hearts be moved by this loving, "human" glance? In 1762, Gluck put the quietus on the artificiality of baroque opera with this work - from then on the human element took center stage.

Gluck: Orfeo ed Euridice 2018

Amour, the messenger of the gods, tells Orpheus that he may descend to the underworld and return with Eurydice. His singing has the power to appease the Furies and animate the blessed Shadows. Yet, his voice cannot reassure Eurydice who despairs of the feigned indifference of Orpheus, put to the test by Jupiter. Raphaël Pichon conducts the opera of operas and Aurélien Bory displays the giddiness of the mental and supernatural spaces traveled by Orpheus and beyond. Marianne Crebassa plays a new breeches role with Hélène Guilmette (Hélène in Le Timbre d’argent) and Lea Desandre (the title role in Alcione).

Kouzelný strom 1976

No Rest for the Brave 2003 ( 5.6)

A strange man is involved in a village massacre and drug dealing.

Sunshine for the Poor 2001 ( 6.3)

On a hot Sunday morning, Nathalie Sanchez, an unemployed hair stylist, walks across the Causses plateau in search of a shepherd. When she finds one, he tells her that he has lost his flock. They walk together and while chatting they meet several times a shepherd's son turned outlaw, Carol Izba. The latter, despite being pursued by a famous bounty killer, Pool, proves unable to leave the region...

Heroes Never Die 1990 ( 4.8)

A 1990 short film from Alain Guiraudie concerning the conversations of two film makers as they meet each night.

Chok Dee: The Kickboxer 2005 ( 5.265)

Dida Diafat plays himself in this story based around his thai boxing career.