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Pierre Gallon

Pierre Gallon

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One Deadly Summer 1983 (6.932)

In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?


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Le Zèbre 1992 (5.545)

Hippolyte, the titular oddball, is a far from typical country lawyer. He has been happily married to the woman of his dreams for 15 years, but has an incurable penchant for practical (or rather impractical) jokes.


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The Gamblers 1950 (5.4)

Adaptation of classical Russian Nikolai Gogol's comedy.


Pierre Mac Enzie Gallon

Pierre Mac Enzie Gallon

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Extrait de naissance 1989 (5.5)

An apartment, who knows whether it is still inhabited or not, whether the potential inhabitants will ever arrive or are already dead. A man's voice speaks and names the objects and places. Memories appear. An orphan is waiting alone in the hall among luggage. His infancy emanates from the objects and the perspectives subjectively visualized by the authors. Fragments of stories. Condensed emotions. People are suddenly frightening. Video technology draws a map of passages from the real to the imaginary, from truth to the narration of the present, the probability of cathode imagery.


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