Territoires, alliances et autres métissages 2022

By retracing the mixed heritage of First Nations peoples and Quebecers, painting a modern portrait, and sketching a human geography, this film helps us (re)discover the beauty and strength of our common territory: the Americas.

Carnets d’un Black en Ayiti 1998

Francoeur: Exit pour nomades 1992

Lucien Francoeur, rock poet of the French imagination of North America, lives the destiny he has chosen for himself at 200 miles an hour.

Don't Look Now... We're Being Shot At! 1966 ( 7.935)

During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.

The Mad Dog 1966 ( 2.5)

Claude Brasseur plays a villain on the run from both the police and the mob. Good atmosphere in the Paris by Night, including deserted factory, Les Halles market and an empty theatre.

Crepuscule 2009 ( 5)

An impressionistic experimental drama. A woman walks a fine line between sanity and madness in a world of constant twilight. She works at a filling station and lives a life of emotional isolation. No one seems to pay attention to her, and she lives in a run-down flat that looks as if it's decaying before our eyes. As the woman wrestles with the demons that are taking hold within her mind, she frequently confronts herself in the mirror, often while naked.

Anatole's Little Saucepan 2014 ( 6.7)

Anatole is always dragging his little pan behind him. It fell on him one day, for no reason. Ever since, it gets caught everywhere and prevents him from going forward. Anatole is fed up, so he hides. Luckily, things are not that simple.

The Smell of Wet Dog 2003 ( 7)

Every day, with the help of a small chick, a little girl with dog ears tries to hide eggs in order to keep them from being eaten.

Mother's Meat and Freud's Flesh 1985 ( 2)

Inspired by the early trash films of John Waters, the film stars Estdelacropolis as Demira, a gay porn actor struggling with both his emotionally complicated relationship with his mother Esther and his desire to break out of porn and into mainstream movies. He connects with a Freudian psychiatrist who is convinced that his homosexuality stems from an unresolved Oedipus complex which he has repressed by denying his natural attractions to women, to which the psychiatrist's proposed solution is to hypnotize Esther into believing that she is a man so that men will become the gender that sexually repulses Demira; in his career, he is ambivalent when the first "mainstream" role he is able to land is a gore film in which he will play the victim of a cannibal family for which Esther has also been cast as the mother.