Pierpaolo Filomeno

Pierpaolo Filomeno

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Love Is Not an Orange 2022 (8.3)

“Imagine this camera is your mother”, a father tells his daughter. In the 1990s, scores of families from the Republic of Moldova began a ritualised mail exchange between the mothers, who had emigrated for economic reasons, and their relatives back home. The former sent money and goods; the latter sent videotapes. These amateur recordings are the material of this film. They testify to the painful gaps the absent persons left in the lives of those who stayed behind.
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Vergot 2016 (5.2)

Two brothers, an exuberant father and an invisible mother. A family of farmers from an Alpine valley where life is rude, as well as manners. The younger son, Gim, is discovering his homosexuality, but the world around him, especially his father, just can't accept that. So the elder son Alex is stuck in the middle, on one hand encouraging Gim to overcome all his fears, on the other trying to continue the tradition of the fathers. In such an exasperated context is hard to recognize the love hidden behind. Will they be able to keep on living together?
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No Kings 2020 (3)

Not too far from Rio de Janeiro's rumbling motorways and electric lights there is a place, where carving canoes and building houses with clay are still an essential part of life. 'No Kings' has been made in the same free spirit that defines the lives of the inhabitants of the small community between the sea and the rain forest. Out here, nature itself is the supreme authority. The rest of society with its gods and kings is a distant echo. The vital, saturated universe enshrouds us as we are out catching crabs with the children or hear the rain patter on the roof in the middle of the night. The Caiçara people maintain and cultivate the last remnants of the Atlantic rain forest, and their traditions are based on sustainable values from Brazil, Japan, Africa and Europe. But Brazil's new government has other plans for the rain forest and for the country's many minorities.