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Yuen Biao

Yuen Biao

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The Legend Is Born: Ip Man 2010 (6.837)

The remarkable true story of the early life of Ip Man, the formidable kung fu genius who would become Bruce Lee's mentor; beginning at the start of his journey from his initial training through to the ultimate battle to become supreme master of the art of Wing Chun.


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Once Upon a Time in China 1991 (7.147)

Set in late 19th century Canton, this martial arts film depicts the stance taken by the legendary martial arts hero Wong Fei-Hung against foreign forces' plundering of China.


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Project A 1983 (7.191)

In late 19th century Hong Kong, the British may rule the land, but the pirates rule the waters. Coast Guard officer Dragon Ma is determined that his beloved Coast Guard will not be made a fool of.


T.P. Lim

T.P. Lim

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The Bodyguard 2016 (5.8)

A retired bodyguard who has settled into a corner of the world where China, Russia and North Korea meet as he suffers from early dementia finds a new friend in a young girl. When her life is threatened by her father's connection with a local crime lord, .the bodyguard must call upon his long forgotten skills to save her.


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Hantu Kak Limah 2018 (6.9)

Kak Limah is discovered dead by villager. Since then, her ghost has been spotted around Kampung Pisang, making the villagers feel restless. Enter Encik Solihin, who tries to help by shooing her ghost away from the village. Husin, Encik Solihin and other villagers trying to overcome this problem. However, the tragedy behind Kak Limah's death has yet to be unveiled.


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Sangkar 2019 (6.5)

The road to redemption of a fighter, who seeks forgiveness from the very man he destroyed.


Piao Lin

Piao Lin

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The Words of the Chairman 1967 (4.9)

I was on a ship – this sounds like a novel: I had just embarked for Venezuela on June 2, 1967 as the Shah of Iran was arriving in West Berlin. There were protests, a student was shot, and a new form of opposition movement came into existence. The idea for this film came to me while I was still aboard the ship. The film is structured like a commercial. The film takes a metaphor literally: words can become weapons. However, it also shows that these weapons are made of paper. The weapon spoiled everything for the Shah and his wife, they are wearing paper bags on their heads with faces drawn on them – the kind of bags worn by Iranian students during demonstrations to hide their identity from the Savak, the Iranian Secret Service. When I showed this film to the audiences in the late 60s, it was highly praised. I think people understood then that over obviousness is also a form of irony. This capacity was lost a few years later. I think it's coming back today. –HF


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