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Sidnei is a young recruit of the fire department fighting forest fires in the Amazon. During his first mission, he will be separated from the group and will have to undertake a perilous mission, guided by his mentor, Joao. Sidnei will be confronted with a choice: follow the orders of the hierarchy or save a thousand-year-old tree at the risk of his life.
Host Sébastien Diaz, known for his curiosity, is interested in absolutely everything that's going on in the world. At the rate things are changing, every day brings surprising new trends, unusual developments and contradictory social movements. Sébastien is joined by regular contributors and invites various celebrities to talk about the hottest topics in this modern round table.
In Lisbon, a German married couple get aboard the legendary tramway no 28.
A dog gets abandoned on the side of the road. Attached to a street light, he stays alone until the day he meets a young astronaut wannabe and a professional cyclist who keeps on trying to beat her highest score.
After a harassing day, Marion, a young woman in her twenties, recounts her story to a policeman, hoping to be understood. For her, the responsible one is part of the hounds. For him, she is the one responsible.
Instead of devoting attention to his wife, a man concentrates all his love on his vegetable garden. One day all his delicious tomatoes mysteriously disappear.
The power company Vattenfall wants to capture emissions from a coal-fired power station and bury them underground - in order to save the world climate. The opponents of the CCS-technology fear not only the risks of this compression but also that the existing power system would be cemented. A film about the challenges of the energy turnaround.
Semele was written in 1743, by an already mature Handel, after his opera serias were becoming less well received than they had once been. The big novelty of the time was that Semele was composed entirely in English and is surely the closest that any of his oratorios get towards opera (though today many of them are staged as such). Stage director Barrie Kosky definitely places it in the operatic genre. He creates a very worldly universe in which gods and mortals are prone to the same emotions.
In a poet's feverish imagination, the staging of Don Giovanni sets him off on a frenzied journey into nightmarish worlds. Can Mozart himself offer him salvation as he loses himself in his fearful dreams? Barrie Kosky tells Offenbach's fantastic story as a disturbing nightmare of an artist who increasingly loses his sense of identity. As we dive into the obsessions of a deranged mind, the title role itself is shared by three performers - including an actor - while a single soprano embodies all four female lead roles.