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Pedro Bonilla Ginocchio

Pedro Bonilla Ginocchio

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38 grados 2024

An old gardener goes out to dig up dirt on a Holy Thursday morning. During his excavation, he discovers the remains of his son who disappeared three weeks ago, taking them home with him. Meanwhile, the murderer, the young owner of a hotel with a swimming pool, serves his clients without any apparent concern. In a town without water and that lives off tourism, this is an open secret that the citizens and the authorities are willing to keep quiet. During the following days of Holy Week, the gardener and the hotel owner will be pushed by guilt and revenge until they come face to face.


Pedro Bonilla

Pedro Bonilla

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My Dinner with Andre 1981 (7.5)

Wally, a struggling playwright and actor, reluctantly agrees to catch up with his old friend Andre, a theater director who disappeared several years prior in order to travel the world. Meeting at a posh Manhattan restaurant, the two share life stories, anecdotes and philosophical musings over the course of an evening meal.


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Children of Darkness 1983 (6.893)

A significant number of American children and teenagers - from all social backgrounds - suffer from mental disorders, schizophrenia, autism and emotional problems, leading them to isolation from society while treating their issues in mental health facilities. But there's no end in sight for those young individuals when they face obstacles and mistreatment in inadequate places under the supervision of careless and inexperienced professionals. The documentary follows some of those public mental institutions and another private center dealing with troubled kids and reveals what's wrong with their procedures, and the irreparable harm they cause in those patients.


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East End Hustle 1976 (3.889)

Group of prostitutes who rely on each other to revolt against their sinister pimps. Their bid for freedom turns much more dangerous than they ever imagined.


Pedro Iván Bonilla

Pedro Iván Bonilla

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Y no había luz: una mirada interna a un grupo de teatro 2015

Explores the processes of the collective Y no había luz, taking viewers to the intimate space of the theater group. Through interviews and archive footage, the group shows their everyday lives, that which occurs prior to the stage magic.


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