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Definitively proving that all the "B" Science Fiction of the 1950s and 1960s do not hold a candle to the 'real thing,' Pavel Medvedev's surreal 45 minute documentary Ascension is certainly one to look for. Composed entirely out of archival footage, much of it from the Soviet science and space archives, delicately scored and building to an undeniable mood of surreal (perhaps even ominous) energy, it charts (and re-purposed) the progress of man into to the unknown area of space exploration with a flair for creating art out film that was shot by scientists and engineers as a mundane record.
The Russian documentary film features a monochromatic wedding in the Deaf community of Saint Petersburg.
In the apartment of the Brodsky family in the Muruzi House - just for one day - it is planned to open a museum in honor of the poet, Nobel laureate, expelled from his native country.
A young German, Werner Müller, turns out to be a volunteer in the neurological department of an ordinary St. Petersburg hospital. A foreigner, overwhelmed by the impulse to help all the sick and needy, has a long and eventful day ahead of him. Every now and then, finding himself in comical situations and making his way through misunderstandings, the volunteer discovers all the facets of the Russian national character.
