Argentina, 1968. In the midst of the Cold War, the dictatorship of Juan Carlos Onganía (1966-70) organizes the 9th Mar del Plata Film Festival in order to show the world its friendly face, while exercising censorship and repressing dissidence.
Florencia “Hana” Ciliberti converses with her contemporaries at her workshops. From closeness and humor, she builds a narrative about music in visual art in Argentina, alternating testimonies, music videos, performances and archive material.
