Paula Stone

Paula Stone

1912-01-20
85 (1997-12-23)
New York City, New York, USA

New York City, New York, USA

Most Known for...

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Atlantic Flight 1937 (4)

Famous pioneer aviator Dick Merrill was front-page news in the 1930s, so it's understandable that he was summoned to Hollywood to star in his own film. In "Atlantic Flight" he's top-billed as a pilot who undertakes a dangerous mission to transport medicine to an ailing friend. Monogram.
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The Girl Said No 1937 (5.429)

Jimmie Allen, a shady bookie, is in love with Pearl Proctor, a greedy dance hall girl. He schemes to get her back after she rejects him; and along the way, he revives a failing Gilbert and Sullivan troupe.
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That's Entertainment! 1974 (7.3)

Various MGM stars from yesterday present their favorite musical moments from the studio's 50 year history.
John Lineker

John Lineker

N/A

N/A

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UFC 224: Nunes vs. Pennington 2018 (8)

UFC 224: Nunes vs. Pennington is a mixed martial arts event produced by the Ultimate Fighting Championship held on May 12, 2018, at the Jeunesse Arena in Rio de Janeiro, Brazil.
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UFC 207: Nunes vs. Rousey 2016 (8.1)

UFC 207: Nunes vs. Rousey was a mixed martial arts event produced by the Ultimate Fighting Championship (UFC) held on December 30, 2016 at the T-Mobile Arena in Paradise, Nevada, part of the Las Vegas metropolitan area. The event was headlined by a UFC Women's Bantamweight Championship bout between current champion Amanda Nunes and former champion Ronda Rousey. A UFC Bantamweight Championship bout between then champion Dominick Cruz and Cody Garbrandt co-headlined the event.
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UFC 163: Aldo vs Korean Zombie 2013 (6.8)

UFC 163: Aldo vs. Korean Zombie was a mixed martial arts event held on August 3, 2013 at the HSBC Arena in Rio De Janeiro, Brazil.
Paula Stonestreet

Paula Stonestreet

N/A

N/A

Most Known for...

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Inside/Out 1997 (7.5)

Against the barren wintry backdrop of a psychiatric hospital, inpatients and authority figures drift through turgid psychological states. We meet the artist Jean and his lover Monica, patients of the facility, and several characters circling its periphery: a guard, an Episcopalian priest, and a church organist. Minimalizing dialogue and plot intricacy, Tregenza concedes only kernels of information, demanding that the viewer breathe dimensionality into his archetypes. Acting out primal instincts of lust, envy, fear, and love, subjects teeter vulnerably on the brink of sanity and insanity, freedom and repression in their attempts to navigate their existence.