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Paul Kaiser

Paul Kaiser

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A detective leaves the force to take over the family business as an undertaker at the same time as he is being investigated for murder. His close encounters with corpses and his earlier police training lead him to see things some of his ex-colleagues miss and he investigates the crimes he encounters in an unofficial capacity often to the dismay of the official police.


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Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.


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Über den Wolken 1920


Paul Kaiser

Paul Kaiser

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Remission 2018

Inspired by co-creator of the film artist Paul Kaiser's struggle with PTSD and his real-life mission to reconnect with his daughters, three creatures are manifestations of an unknown soldier's war trauma and his vast, lonely pilgrimage toward emerging from a purgatory loop.


Paul Kaiser

Paul Kaiser

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Ulysses in the Subway 2017

A picturing of sound in 3D.


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All Sides of the Road 2012

All Sides of the Road derives from a twelve-minute 3D video capture of Old Highway 101 entering and departing Dewitt, Iowa. After the title image, the cameras are pointed directly down at the highway, which becomes a rushing microcosm of the world that evokes landscapes both of America and of the mind. The resulting spectacle is both utterly photorealistic and phantasmagoric. In addition to landscape, this digital film also evokes earlier forms of analog film, especially those of the American avant-garde, for the physical properties of the highway are like those of celluloid. In motion, the textures of asphalt and concrete look a lot like film grain, while the lane markers flickering by are easily mistaken for the lines and letterings on film leader rushing through the projector gate.


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Detroit Transect: Spine 2014

Repeated visual searches along the full length of the Brush Street transect, moving south to north. It comprises 10 distinct sections, which may be viewed in sequence in a cinema or, for installation purposes, split apart for spatial juxtaposition.


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