Patrick Tarr

Patrick Tarr

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The Colony 2013 (5.456)

Forced underground by the next ice age, a struggling outpost of survivors must fight to preserve humanity against a threat even more savage than nature.
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N/A N/A (6.921)

Detective John Cardinal attempts to uncover the mystery of what happened to the missing 13-year-old girl whose body is discovered in the shaft-head of an abandoned mine. At the same time, he comes under investigation by his new partner, Lise Delorme, a tough investigator in her own right.
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N/A N/A (7)

When Charlie Harris ends up in a coma, he leaves the Hope-Zion Hospital in chaos - and his fiancée and fellow surgeon, Alex Reid, in a state of shock. As the staff of Hope-Zion races to save lives, comatose Dr. Harris wanders the halls of Hope-Zee in "spirit" form, not sure if he's a ghost or a figment of his own imagination.
Patrick Tarr

Patrick Tarr

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Coast to Coast 2004 (6.6)

Barnaby and Maxine Pierce, an embattled married couple in Connecticut, are on the verge of divorce. Their son is getting married in California and they decide to drive across the country to attend. Along the way, as they visit family and friends, they reflect on their tattered relationship and the events that transpired to create the estrangement.
Patrick Tarrant

Patrick Tarrant

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Merlin Horse 2025

Malcolm Le Grice's Berlin Horse (1970) is reimagined for a time of AI-enabled editing software and digital-analogue hybridity. Looping and phasing in Le Grice’s film are replaced with a concern for masking and speed.
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Patient’s Copy 2020

A hand-made reflection on the underconscious and on the illustration of ideas on plastic.
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Frankston 2020

Frankston is a study of the place I grew up, a satellite of Melbourne with affordable housing, nature-strips and beach views. The downright ordinary nature of the opportunities and festivities afforded by Frankston, and the ambivalence one can feel going back there, nonetheless give rise to a new aesthetic: the suburban symphony. In this case the symphony is rendered in strange hues and luminescences as though affirming Robin Boyd’s depiction of ‘the Australian ugliness’ in 1960, where he claims that “taste has become so dulled and calloused that anything which can startle a response on jaded retinas is deemed successful.”