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Patrick Mimoun

Patrick Mimoun

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He Even Has Your Eyes 2017 (6.044)

Paul is married to Sali. Everything would be fine if they could get a child. Until the day when Sali receives the call that they have been waiting for so long: their adoption file is approved. He is adorable, he is 6 months old, his name is Benjamin. He is blond with blue eyes and white. They - are black.


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Miserere 2013 (5.939)

Paris, December. A conductor of a choir is found mysteriously murdered, with burst eardrums. Lionel Kasdan, a police inspertor the verge of retirement, and Frank Salek, an official of Interpol, embark together on a hunt for the killer, and also to a secret organization specializing in kidnapping children.


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Wild Grass 2009 (6.07)

Marguerite loses her wallet, and it's found by Georges, a seemingly happy head of family. As he looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession.


Patrick Mimouni

Patrick Mimouni

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American Stories: Food, Family and Philosophy 1989 (5.1)

Chantal Akerman explores Jewish American identity in this multilayered portrait of the immigrant experience. Shot in Brooklyn near the Williamsburg Bridge, Histoires D'Amérique takes the form of a series of first-person addresses delivered by a cross-section of Jewish New Yorkers, whose by turns tragic and humorous tales speak to a collective history of trauma, displacement, and resilience.


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Family Business 1984 (7)

Chantal Akerman was commissioned by Visions to make this short film for £20,000. It was first shown on 21 November 1984, on Channel 4. Akerman herself plays the role of a director visiting Hollywood to find financing from an uncle she hardly knows. Very little goes to plan… Also stars Aurore Clement and Colleen Camp.


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One Day Pina Asked... 1989 (5.5)

Chantal Akerman followed famous Choreographer Pina Bausch and her company of dancers, The Tanzteater Wuppertal, for five weeks while they were on tour in Germany, Italy and France. Her objective was to capture Pina Bausch's unparalleled art not only on stage by behind the scenes.


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