An experiment transposing a painting by the artist Jacqueline Bosson into film. A particularly delicate exercise which consists of preserving the quality of both the colors and the range of blacks and whites, of directing the gaze to a single part of an ensemble predefined by one of the many factors involved in “making visible”, without turning away from the the fact that one’s attention is liberated from the noises and distractions of the gallery, of the museum, of the world… — different and similar from those the screening room — an inevitability of light.
I saw people flee in fright before the force of Chromaticité I, during which I remained fastened to my seat, in the clutches of fear. The last image, the screen turns white: I glance at my neighbour, immobilised just as myself. (Bernard Weidmann, Rhizome Hérétique, 1980)
A barbaric feast of "Mad Masters" of our country hardly unexplored, originally on a very repetitive "kraft" music ....
