Paola M. Tirado

Paola M. Tirado

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Penitentiary 2024 (10)

A woman finds herself grappling with the haunting presence, as she navigates through shadows over her present existence.
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From Death, To Life N/A

In a small town in Puerto Rico, called Comerío, love blooms through poetry and tradition, uniting not just two souls but an entire town. Through music and verse, they discover that to love is also to belong.
Paola Tirado

Paola Tirado

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El Tamalon Navideño 2018 (2)

It tells the story of Marta and Teresa, who will face each other in the "Tamalon Navideño" contest, to find out who prepares the best tamal. To win the award, they will put their friendship of years to the test.
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10 Kilos 2024 (5)

Sharon Yitzhaki traveled to Bolivia with a guy she barely knew. She was indicted in an attempt to smuggle 10 kilos of cocaine out of the country and sentenced to serve her time at one of the cruelest women’s prisons in the world. She quickly became a media sensation in Bolivia, had an affair with the head of La Paz’s drug cartel, established a family in prison that included a 7-year-old orphan and an amazing transgender, ran the cartel business in prison to protect her family, became addicted to cocaine and quit to save the loved ones in her life, used a loophole in the law to smuggle herself and her family to Brazil, from there back to Tel Aviv and then wrote a detailed, bestselling autobiography.
Paola Tirados

Paola Tirados

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Your Urge to Breathe Is a Lie N/A

A prismatic and polyphonic invitation to join us in an ecological, embodied and ethical approach towards transhumanist evolution amidst climate catastrophe. We embracing the cephalopod (octopus, squid, cuttlefish, nautilus) as the model (role model species; myths are also models) for human evolution.  Scientists, engineers, dancers, and synchronized swimmers on the brink of adulthood all train for human enhancement through the adoption of three key cephalopodic intelligences: embodied; shapeshifter; and distributed.  Transhumanist Cephalopod Evolutionwas developed by Miriam Simun at the MIT Media Lab, in collaboration with choreographer luciana achugar. The work is simultaneously a richly visual oceanic journey; a document of a training and research process; and an attempt to transmit tactile, proprioceptive sensation via the flat medium of video.