José & Pilar 2010 ( 7.3)

A deeply moving story about love, loss and literature, this documentary follows the days of José Saramago, the Nobel-laureate Portuguese novelist, and his wife, Pilar del Río. The film shows their whirlwind life of international travel, his passion for completing his masterpiece "The Elephant's Journey", and how their love quietly sustains them throughout.

Mosaïque 1976 ( 9)

Broadcast from 1977 to 1987 on FR3, every Sunday morning, for 1h30, Mosaïque is a variety show with a set where music groups from the countries of origin of immigration perform, and which broadcasts reports on these countries and on immigrants who live in France. When it was created, it aimed to promote the cultures of origin of immigrants, but also to make them better known to the rest of the population. However, the program was never financed by public television which considers that it was aimed at a specific audience and was therefore not part of a public service mission. It received financial support from the Ministry of Labor, through its subsidy to the National Office for the Cultural Promotion of Immigrants, ONPCI (later becoming Information Culture and Immigration, ICEI, in 1977, then Agency for the Development of Intercultural Relations , ADRI). , in 1982).

N/A N/A ( 6.3)

La Risa en Vacaciones 1990 ( 6.385)

Comedians play pranks on unsuspecting people vacationing at the beach.

N/A N/A ( 7.573)

Cómplices al Rescate is a Mexican telenovela starring Belinda as two twins who were separated at birth.

N/A N/A ( 7.6)

Alegrijes y Rebujos is a Mexican soap opera which became very popular with children and adults in 2003 and 2004. The child actors came from the reality show Código F.A.M.A.. The first place winner, Miguel Martinez, earned the lead role. He shared the spotlight with the other finalists María Chacón, Diego González, Allisson Lozano, Michelle Álvarez, Nora Cano, Jesús Zavala and Tony Cobian.

Gotán 1979

o Jorge Cedrón this was an act of wistful and political affirmation. He could not explain why he made it, but stated: «It necessary to make it». The outcome, never screened publicly in Argentina, is of a joyous creative freedom, a musical collage here the history of tango and its roots get interwoven with Argentine political history. A Buenos Aires street reconstructed in Ariane Mnouchkine 's theatre, a European old man who can play the tunes the bandoneón was made for, but who does not know the tango, a friends gathering at Antonio Seguí's studio, the music of Cuarteto Cedrón, hobbyhorses and a disconcerted Indian are some of the many elements combined by the film-maker in this singular, unique work.